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Jonathan Yeo

Unveiled at the National Portrait Gallery as part of Yeo’s widely acclaimed 2013 retrospective, the portrait of Damien Hirst, from which this image is taken, reveals Yeo’s interest in the ability for portraiture to contain layers of narrative. Yeo and Hirst collaborated over the composition, deciding to have the conceptual artist wear the protection gear he used in order to make some of his most iconic works. Hirst’s commanding pose was chosen as an ironic reflection upon his perceived position within today’s art world.

Each print has been hand finished with the box around the figure of Hirst individually painted.


Technique

The painting was photographed with a Hasselblad HD5 50 mega pixel camera. The printing was done on Epson printers using Epson archival pigment inks with constant attention to any colour and texture discrepancies. Each print has been hand finished by varnishing in different parts of the image. Published in 2013. 



Jonathan Yeo
Jonathan Yeo is the London-based contemporary portraitist responsible for paintings of Nicole Kidman, Dennis Hopper, Prince Philip, Erin O'Connor, Tony Blair, and David Cameron among others, most recently a portrait of Damien Hirst apparently in a glass tank. Although portraiture is sometimes thought of as a conservative medium, Yeo has shown himself to be in pursuit of a subversive agenda, as in his unauthorised 2007 portrait of George W Bush, created from cuttings of pornographic magazines, which brought him worldwide notoriety. He used a similar method in an unauthorised portrait of Paris Hilton, while his portraits of British politicians have displayed a level of critique unwelcome to the subjects. Born in 1970, Yeo is entirely self-taught, a process that took place during a lengthy and painful period of recovery from Hodgkin's Disease. As he himself points out, he was determined to become a painter at a time when figurative, representational art was deeply out of fashion, but makes a powerful case for the ability of the portraitist to challenge his or her subjects. An exhibition of his work is currently on show at the National Portrait Gallery.

Availability: In stock

£4,500.00

Damien

Damien

Damien

Archival pigment print with varnish and acrylic
Recent developments in piezoelectric technology have resulted in increasingly high-resolution colour prints.
Archival pigment print with varnish and acrylic
Edition of 55
Signed & numbered by the artist on the front

£4,500.00

Sheet size
56 x 56cm
22 x 22inches

Image size
n/a

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Damien
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Details

Unveiled at the National Portrait Gallery as part of Yeo’s widely acclaimed 2013 retrospective, the portrait of Damien Hirst, from which this image is taken, reveals Yeo’s interest in the ability for portraiture to contain layers of narrative. Yeo and Hirst collaborated over the composition, deciding to have the conceptual artist wear the protection gear he used in order to make some of his most iconic works. Hirst’s commanding pose was chosen as an ironic reflection upon his perceived position within today’s art world.

Each print has been hand finished with the box around the figure of Hirst individually painted.

Additional Information

First Name Jonathan
Last Name Yeo
Artist Description Jonathan Yeo is the London-based contemporary portraitist responsible for paintings of Nicole Kidman, Dennis Hopper, Prince Philip, Erin O'Connor, Tony Blair, and David Cameron among others, most recently a portrait of Damien Hirst apparently in a glass tank. Although portraiture is sometimes thought of as a conservative medium, Yeo has shown himself to be in pursuit of a subversive agenda, as in his unauthorised 2007 portrait of George W Bush, created from cuttings of pornographic magazines, which brought him worldwide notoriety. He used a similar method in an unauthorised portrait of Paris Hilton, while his portraits of British politicians have displayed a level of critique unwelcome to the subjects. Born in 1970, Yeo is entirely self-taught, a process that took place during a lengthy and painful period of recovery from Hodgkin's Disease. As he himself points out, he was determined to become a painter at a time when figurative, representational art was deeply out of fashion, but makes a powerful case for the ability of the portraitist to challenge his or her subjects. An exhibition of his work is currently on show at the National Portrait Gallery.
Edition of 55
Ed Date 2013
Inscriptions Signed & numbered by the artist on the front
Short Technique Archival pigment print with varnish and acrylic
Sheet Size 56 x 56cm
Sheet Size (Inches) 22 x 22inches
Image Size n/a
Image Size (inches) No
Technical Description

The painting was photographed with a Hasselblad HD5 50 mega pixel camera. The printing was done on Epson printers using Epson archival pigment inks with constant attention to any colour and texture discrepancies. Each print has been hand finished by varnishing in different parts of the image. Published in 2013. 

Technique Pop ups Recent developments in piezoelectric technology have resulted in increasingly high-resolution colour prints.
Price on Application No
Display Custom Popup No
Custom pop up link Title No
Custom Popup Title No
Custom Pop up Description No

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