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Paul Morrison
'I'm interested in cognitive landscape, the terrain that one sees, somewhere behind the eyes' - Paul Morrison. Manifold Editions publishers three new editions from the Sheffield artist Paul Morrison, whose enigmatic botanical landscapes and night gardens combine familiar and unfamiliar elements of plant forms and flowers with motifs ranging from renaissance art to Lichtenstein and 60s Op Art. His intensely linear work typically disrupts proportions so that tiny plants become huge and massive trees shrink, creating an unsettling experience that leads the viewer to a 'cognitive landscape' lying beyond the image plane. The title Rosy Fingered Dawn is taken from a Willem de Kooning painting.
Technique
Screenprint: underprint gold, gold leaf underlay, overprint to seal leaf, spot colour (Black) & protection varnish on Black. Printed on 410 gsm Somerset Tub Sized. Published by Manifold Editions 2013.

Paul Morrison
Paul Morrison (born 1966, Liverpool) graduated in Fine Art from Goldsmiths College in 1998 and now lives and works in Sheffield and London. Morrison’s landscape paintings, wall murals, films and prints sample imagery from a wide array of sources ranging from newspapers, cartoons and antique volumes of botanical illustration to sixteenth-century woodcuts. Since his first solo exhibition in London in 1996, Morrison has exhibited internationally. Group exhibitions include ‘Repicturing the Past/Picturing the Present’, Museum of Modern Art, New York (2007); ‘Murals’, Fundació Joan Miró, Barcelona (2010); ‘Nothing is Forever’, South London Gallery, London (2010) and ‘Gold’, Belvedere, Vienna (2012). Paul Morrison’s work can be found in collections worldwide, including the British Council Collection; the Government Art Collection; the Museum of Modern Art, New York, and the Victoria & Albert Museum, London.

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POA

Rosy Fingered Dawn

Rosy Fingered Dawn

Rosy Fingered Dawn

Screenprint
Also known as silkscreen. In its simplest form, this is a technique by which the artist blocks out a section of a fine, woven screen (formerly made of silk), which is stretched over a frame. With a squeegee, ink is pressed evenly through the screen on to a sheet of paper beneath. Only the areas of the screen not blocked out will be printed. The artist will use as many of these transparent sheets (separations) as the numbers of colours required in the print, and each sheet must be aligned very carefully with the others. The films are transferred on to the silkscreens via a light-sensitive process: only the areas which are painted by the artist will be blocked out and will not allow ink through.
Screenprint
Edition of 100
Signed, titled and numbered on the front

POA

Sheet size
81 x 100cm
31.8 x 39.3 in

Image size




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Rosy Fingered Dawn
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'I'm interested in cognitive landscape, the terrain that one sees, somewhere behind the eyes' - Paul Morrison. Manifold Editions publishers three new editions from the Sheffield artist Paul Morrison, whose enigmatic botanical landscapes and night gardens combine familiar and unfamiliar elements of plant forms and flowers with motifs ranging from renaissance art to Lichtenstein and 60s Op Art. His intensely linear work typically disrupts proportions so that tiny plants become huge and massive trees shrink, creating an unsettling experience that leads the viewer to a 'cognitive landscape' lying beyond the image plane. The title Rosy Fingered Dawn is taken from a Willem de Kooning painting.

Additional Information

First Name Paul
Last Name Morrison
Artist Description Paul Morrison (born 1966, Liverpool) graduated in Fine Art from Goldsmiths College in 1998 and now lives and works in Sheffield and London. Morrison’s landscape paintings, wall murals, films and prints sample imagery from a wide array of sources ranging from newspapers, cartoons and antique volumes of botanical illustration to sixteenth-century woodcuts. Since his first solo exhibition in London in 1996, Morrison has exhibited internationally. Group exhibitions include ‘Repicturing the Past/Picturing the Present’, Museum of Modern Art, New York (2007); ‘Murals’, Fundació Joan Miró, Barcelona (2010); ‘Nothing is Forever’, South London Gallery, London (2010) and ‘Gold’, Belvedere, Vienna (2012). Paul Morrison’s work can be found in collections worldwide, including the British Council Collection; the Government Art Collection; the Museum of Modern Art, New York, and the Victoria & Albert Museum, London.
Edition of 100
Ed Date 2013
Inscriptions Signed, titled and numbered on the front
Short Technique Screenprint
Sheet Size 81 x 100cm
Sheet Size (Inches) 31.8 x 39.3 in
Image Size No
Image Size (inches) No
Technical Description Screenprint: underprint gold, gold leaf underlay, overprint to seal leaf, spot colour (Black) & protection varnish on Black. Printed on 410 gsm Somerset Tub Sized. Published by Manifold Editions 2013.
Technique Pop ups Also known as silkscreen. In its simplest form, this is a technique by which the artist blocks out a section of a fine, woven screen (formerly made of silk), which is stretched over a frame. With a squeegee, ink is pressed evenly through the screen on to a sheet of paper beneath. Only the areas of the screen not blocked out will be printed. The artist will use as many of these transparent sheets (separations) as the numbers of colours required in the print, and each sheet must be aligned very carefully with the others. The films are transferred on to the silkscreens via a light-sensitive process: only the areas which are painted by the artist will be blocked out and will not allow ink through.
Price on Application Yes
Display Custom Popup No
Custom pop up link Title No
Custom Popup Title No
Custom Pop up Description No

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